[1]张迎.甄宝玉与贾宝玉意义指涉的多元性[J].扬州职业大学学报扬州教育学院学报,2022,(04):24-27,32.
　ZHANG Ying.Zhen Baoyu and Jia Baoyu: the Diversity of Meaning Reference[J].Journal of Yangzhou Polytechnic College,2022,(04):24-27,32.
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甄宝玉与贾宝玉意义指涉的多元性()
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《扬州职业大学学报》《扬州教育学院学报》[ISSN:1008-3693/CN:32-1529/G4]

卷:
期数:
2022年04期
页码:
24-27,32
栏目:
《扬州教育学院学报》刊期目录
出版日期:
2022-12-01

文章信息/Info

Title:
Zhen Baoyu and Jia Baoyu: the Diversity of Meaning Reference
文章编号:
1008-6536(2022)04-0024-04
作者:
张迎
(曲阜师范大学,山东曲阜273100)
Author(s):
ZHANG Ying
(Qufu Normal University, Qufu 273100, China)
关键词:
《红楼梦》;  甄宝玉;  贾宝玉;  镜像;  意义指涉;  多元性;  一体两面
Keywords:
A Dream of Red Mansions;  Zhen Baoyu;  Jia Baoyu;  mirror image;  meaning reference;  pluralism;  two-sidedness
分类号:
I 207.411
文献标志码:
A
摘要:
《红楼梦》第一百一十五回中,贾宝玉与自己容貌颇为相似的甄宝玉相遇。甄宝玉的出场在弥合第一作者人物架构的基础上,也生发出第二作者充满个体情怀的文本期待和创作意图。甄宝玉作为贾宝玉的镜像而存在,是贾宝玉人格结构的另一面呈现。截然相反的人生选择,却都指向悲剧。两者之间的关联既有文本之内的联结,又体现文本之外作家本体的心理矛盾,呈现出意义指涉的多元性。
Abstract:
In Chapter 115 of A Dream of Red Mansions, Jia Baoyu meets Zhen Baoyu, who resembles him in appearance. After meeting the construction of character framework as the first author, Zhen Baoyu's appearance also gives birth to the text expectation and creative intention of the second author full of individual feelings. Zhen Baoyu, as a mirror image of Jia Baoyu, is another aspect of his personality framework. Their complete opposite life choices both lead to tragic endings. Their correlation is not only contextual, but also the psychological contradiction of the author outside the text, thus taking on the pluralism of meaning reference.

参考文献/References:

[1] 曹雪芹,无名氏.红楼梦[M].北京:人民文学出版社,2018.
[2] 伍茂源.理想悲剧的主角与证人——论贾宝玉与甄宝玉的关系[J].语文学刊,2009(9):7-9.
[3] 章朋.历史、创伤与文学——拉卡普拉的“书写创伤”理论及其伦理意义[J].文艺理论研究,2021(6):129-138.
[4] 霍国安.《静静的顿河》中双重“他者”的身份认同[J].河南广播电视大学学报,2019(1):51-56.
[5] 李梅,李智慧.青少年性教育不容回避[N].信息时报,2003-09-01(C15).
[6] 洪迪.《红楼梦》里外的曹雪芹[J].台州学院学报,2022(1):1-9.

备注/Memo

备注/Memo:
收稿日期:2022-05-10
作者简介:张 迎(1998—),男,曲阜师范大学文学院硕士研究生。
更新日期/Last Update: 1900-01-01